DONATION TO BENEFIT THE VICTIMS OF THE NOTO PENINSULA 2024 | ISHIKAWA PREFECTURE

Sasayaki Murmures Éric Petr 2023 | Blog for Wajima
Photographs ささやき 2023, on sale to benefit the victims of 01.01.24 of Wajima

After the violent earthquake in Japan that hit the Noto Peninsula on 01.01.2024, I decided to offer two photographs for a charity sale to benefit the victims of Wajima, because I felt it was necessary for this work, which is closely linked to the earthquake of 05.05.2023, to contribute, however modestly, to the reconstruction of the town of Wajima.

Half the proceeds will be donated to the Wajima Disaster Relief Organization.
・The first half corresponds to my royalties and remuneration.
・The second half corresponds to the running costs of my Studio, taxes and charges as well as the costs of Fine Art paper and pigment ink.
This purchase offer is valid throughout 2024.

Would you be interested in making this donation?
Please click on the link below:

FRENCH ANTIQUE & ART GALLERY

!! My wife being Japanese, the donation will be directly redistributed by Japanese bank transfer to the Japanese Red Cross in Ishikawa Prefecture, as soon as the artwork has been delivered to you.
We will provide you with the certificate of proof of the deposit made in Yen by my wife !!

Characteristics of the 2 works

Title work left: ささやき 0x608EBF51
Title work on the right: ささやき 0x604ABB51 (Sold out)
Year: 2023
Copy: #2/3 (Limited edition 3 copies + 1AP)
Dimensions: 30x30cm
Technique: In situ long exposure digital photography
Nikon DF camera with Nikkor H-85mm f1.8
Printing: Pigment inks on Hahnemühle paper Fine Art Bright White Rag 310g
Signature: Signed on back
Certificate of Authenticity: Yes
Frame: Light oak box with museum glass
Note: Very discreet imperfections visible on the edge of the frame (-10% discount deducted)
Free: My “Spirituelles Odyssées” author’s book (€35 value)

Price per work: € 630
Shipping: Free

Please click here to view larger images

But why offer these two photographic works in aid of the victims of Wajima?

When I visited Japan during the spring of 2023, I went to Kenroku-en Park in Kanazawa on the night of May 4-5. It was a full moon night and I heard a symphony of natural elements. These hundred-year-old trees, these lakes that have spanned the dynasties and this moon so radiant, brought me the sensation of being on the stage of a theater nō.

The energy I captured that night was so strong, so radiant, so penetrating that the beauty of nature was sublimated, and its complicity with the cosmos clearly understood. It seemed that all this beauty was in motion, and that it was entering a marvellous, supernatural dance.

A few hours later, I was on my way by bus to Suzu in the north of the Noto Peninsula, when we were suddenly stopped in our tracks on May 5, 2023 at 2:42 pm by a violent 6.5 magnitude earthquake, which were followed by numerous aftershocks over a 24-hour period.

I then realized that, that night, in Kenroku-en Park, I had picked up the whisper of an earthquake. 

I then decided to call this photographic work ささやき (sasayaki), which means “murmurs “. 

As chance would have it, or rather the synchrony of events or an order that eludes us, I subsequently exhibited two photographs from this series at the Gallery Ville A des Arts in Paris with UNESCO’s CNFAP in October 2023.

When I learned on January 1, 2024, that a magnitude 7.6 earthquake had struck the same spot at 16:10 Japan time, I was stunned and overwhelmed.

All the impressions I’d felt during the aftershocks suddenly came back to me, the whole night after we’d tried to sleep on the 9th floor of a hotel on the harbor in the town of Wajima, now devastated by this latest earthquake, in fear of a possible tsunami.

I also felt a great deal of compassion for the Japanese people affected, who had suddenly become homeless, injured or victims, but also a great deal of sadness for this small town where we had wandered with our friends through the pretty streets of the morning market and its atmosphere, which seemed so timeless.

This photographic work consists of just twelve photographs. Twelve images of such density that you don’t need much more to understand the vibratory beauty of this whisper.

The two photographs I’m offering for sale here were exhibited in Paris in October 2023. While the others are waiting for a new story to tell before being shown again.

It seemed obvious to me that this work, in direct resonance with the May 2023 earthquake, had to play a part, however humbly, in Wajima City’s victim relief efforts.

ABSTRACT PROPOSALS | PHOTOGRAPHY

zz Blog Abstract Project Paris exhibition January 2024 Comm banner

I’m pleased to invite you to the opening of the “Propositions Abstraites” photography exhibition, Wednesday January 24, 6-9pm.

EXHIBITION
January 25 to February 3, 2024
open Wednesday to Saturday, 2 to 7 p.m.

ABSTRACT PROJECT GALLERY
5 rue des Immeubles Industriels
75011 PARIS metro Nation
www.abstract-project.com

#170

ABSTRACT PROPOSALS
PHOTOGRAPHY
For the second time, Abstract Project gallery presents an exhibition focusing on photography, its practices and its approach to non-figurative abstraction.
The widespread availability and distribution of photographic possibilities has increased personal production tenfold, fostering experimentation and generating, in its continuous flow, abstract images from professionals, amateurs or simple opportunities to look.
Avoiding an exhaustive panorama of this research, we wanted to invite artists close to the Réalités Nouvelles movement, whether photographers, painters or visual artists, to present their occasional or regular practice of abstraction in photography.
By looking at the various media not in silos, but as tools that interact, feed off and support each other, the exhibition highlights how these artistic disciplines influence artists in their approach to abstract photography, and set them apart.

Exhibition initiated by Michel-Jean DUPIERRIS and Jun SATO with…

Caroline BOUCHER
Florian BOUXIN
Charlotte BRASSEAU
Michel CARDOT
Marcel CROZET
Denise DEMARET-PRANVILLE
Philippe Henri DOUCET
Hippolyte DUPONT
Elisabeth LAPLANTE
Éric PETR
Jun SATO
Marie-Françoise SERRA
Yoann YVONNET

zz 光 0x308518BF Éric Petr | Blog Abstract Project Exhibition Paris January 2024
Click on image to enlarge

Title: Hikari 0x308518BF
Year: 2023
Copy: #1/3
Size: 19 x 19 cm [Cadre 32 x 32 cm]
Technique: Digital photography in situ Nikon DF, Nikkor Q135. Lucia Pro pigment inks on Hahnemühle Fine Art Pearl 285g paper.
Print made at Éric Petr Studio inspiration

zz Blog Abstract Project Exhibition Paris January 2024
Click on the image to display the Flyer

MURMURS 2023 @ CNFAP | ささやき

ささやき 0x604ABB51 (détail) © Éric Petr (2023


I am happy to announce the MURMURS exhibition
organized by the CNFAP at the La Ville A des Arts gallery in Paris 18th from 4.10 to 15.10.2023 and bringing together 41 visual artists who will express themselves on the theme of murmurs.
A Vernissag will be held on this occasion on October 3 at 6:30 p.m. 🥂✨


Participating artists:
Ayasaky Rikka – Barrovecchio Luc – Bauer Caroline – Belin Hélène – Bismuth Mélina – Blauth Lurdi – Braun Guy – Brebel Catherine – Bry Christine – Burdeos Rosa –  Collandre Françoise – Dubois Tristan – Dudret Geneviève – Edouard André – Ferru Magdéleine – Fourmestraux Éric – François Claudine – Gendre-Bergère Christine – Gérodez Jean-Claude – Gehand Annie – Guyon Spennato Elizabeth – Jäggi Andreas – Kouninioti Catherina – Koyama-Meyer Stéphane – Lambrechts Marc – Loquen Claudine – Lorsa – Nassor Carine – NEL – Pedeau-Said Geneviève – Pelouze Anny – Petr Éric – Pichereau Alain – Pourny Anne – Sartori Ana – Searle Patrick – Shahnaei Najine – Souliotis Dimitrios – Sustrac Bernard – Tralongo Pauline – Vuerich Franco

§ § §

USEFUL INFORMATIONS

The Ville A des Arts
15 rue Hégésippe Moreau
75018 Paris
Metro Place de Clichy lines 2 & 13

Open every day: from 11 a.m. to 7 p.m.
Free entry access
Presence of artists on site

About the CNFAP
French National Council of Plastic Arts
www.cnfap-artsplastiques.org

The French National Council for the Plastic Arts is the French National Committee that officially represents France in the IAAA (International Association of the Plastic Arts), an NGO under the auspices of UNESCO, and issues a professional artist card.
Under the impulse of the General Direction of Arts and Letters of the Ministry of National Education, the CNFAP was created in 1956.
It includes, among its founding members, 20 eminent artists, including : Georges BRAQUE, Roger CHAPELAIN-MIDY, André DUNOYER de SEGONZAC, Marcel GROMAIRE, Marie LAURENCIN, André LHOTE…

Click to download the poster

ささやき 0x608EBF51

MY EXHIBITED ARTWORK


The two exhibited works are part of a short photographic novella「ささやき」produced in Japan in May 2023.

ささやき (Sasayaki), in Japanese, means “MurmurS”, the title of the theme “Murmures” in French.

These photographs are, for those who know how to listen to silence, the murmur of nature.

While my photographic artwork tirelessly questions the murmurs of the universe, I did not think that the waves that I captured that night in Kanazawa, in dialogue with the moon, transmitted to me a vibration heralding the 6.5 magnitude earthquake which occurred a few hours later, on May 5, 2023 at 2:42 p.m. in Ishikawa Prefecture.

Everything is just a murmur of these waves which constantly pass through us and transmit to us in their infinite trajectory, the echo of the World, if indeed we can interpret it.


Photographs, Hahnemühle B&R Rag 310g paper, light oak wooden box and anti-reflective and anti-UV museum glass.
From left to right (below):
ささやき 0x608EBF51 (2023) 30x30cm #1/3 (+1AP)
and ささやき 0x604ABB51 (2023) 30x30cm #1/3 (+1AP)

PARIS KYŌTO | NEW REALITIES HORS LES MURS > RETROSPECTIVE

Photograph shown in Kyōto © Éric Petr 光0x58B17F46

ABSTRACT ART ー WORKS ON PAPER
The New Realities exhibition | Paris Kyōto 2023 Hors les Murs

The exhibition of NEW REALITIES > PARIS KYŌTO < [abstract works on paper] held at the KYŌTO INTERNATIONAL COMMUNITY HOUSE (KOKOKA) in the city of Kyōto from April 26 to 30, 2023, during the Kyōtographie International Festival, was an event nurtured by some very fine encounters.
A mainly Japanese public came to see this exhibition, encouraging a highly constructive exchange in the spirit of opening up art and culture beyond national borders.

An opening ceremony was held on April 26, the day of the Vernissage, by Mr Fujita Hiroyuki, Director of the Kokoka hosting the exhibition, and Mr Jun Sato, organizer of the Réalités Nouvelles event.
Also for this occasion, Mrs. Mikiko Tanaka, Member of the Kyōto Prefectural Assembly, and Mr. Masayoshi Imamura came to arrange two sumptuous bouquets of flowers that lit up the space throughout this magnificent exhibition.
This event was also an opportunity to welcome an elementary school class, and drawing workshops and exchanges with the artists were organized to raise awareness of abstract art among this very young audience.

Video presentation of the exhibition at the end of the hanging
Floral arrangement by Mikiko Tanaka さん and Masayoshi Imamura さん
The Artists (from left to right): Akane Masano さん, Shigekazu Tonomura さん,
Yasushi Furutake さん (visiting artist), Éric Petr and Okayoko さん

PARTICIPATING ARTISTS

JAPANESE ARTISTS 🇯🇵
OKAYOKO( おかよこ )
Hiromi SATO( 佐藤 ひろみ )
Shigekazu TONOMURA(とのむら 茂一 )
Akane MASANO( まさの あかね )

ARTISTS OF NEW REALITIES 🇫🇷
Mohamed AKSOUH
Sandrine ARS-COIGNARD
Maria ARVELAIZ-GORDON
Joanick BECOURT
Milija BELIC
Roger BENSASSON
Joël BESSE
Christine BOIRY
Francesc BORDAS
Claire BORDE
Caroline BOUCHER
Carol-Ann BRAUN
Jeanne CHARTON
Anne COMMET
Ralph CUTILLO
Claire DE CHAVAGNAC
Diane DE CICCO
DELNAU
Olivier DI PIZIO
Bernard DIDELLE
Philippe Henri DOUCET
Gilles DROUIN
Yannick DUBLINEAU
Sahar FOROUTAN
Alain GUILLON
Héloïse GUYARD
Frédéric HENNINGER
Stefanie HEYER
Ingrid HORNEF
Mary-Christine JALADON
Bernard JEUFFROY
Françoise KULESZA
Erik LEVESQUE
Alain LONGUET
Pascal MAHOU
Cristina MARTINEZ
Sylvie MARY
Jean-Paul MEISER
Celia MIDDLEMISS
Munira NAQUI
Jean NAVAILH
Roland ORÉPÜK
Paola PALMERO
Ana PÉREZ VENTURA
Éric PETR
Laurence REBOH
Jun SATO
Marie-Françoise SERRA
Madeleine SINS
Bogumila STROJNA
François SUPIOT
Sandrine THIÉBAUD-MATHIEU
Marine VU
Jacques WEYER

THE PLACE

Kyoto International Community House (kokoka)
2-1 Torii-cho, Awataguchi, Sakyo-ku, Kyoto, 606-8536 JAPAN
tel : +8175-752-3010
https://www.kcif.or.jp/

Exhibition organized with The New Realities Paris
http://www.realitesnouvelles.org

NEW REALITIES | PARIS KYŌTO 2023

RÉALITÉS NOUVELLES
HORS LES MURS PARIS KYŌTO

ABSTRACT ART ー WORKS ON PAPER

An exhibition co-sponsored by the
Kyōto City International Foundation

Wednesday 26.04 Sunday 30.04.23 [09:30 17:00]

VERNISSAGE :
Wednesday April 26, 2023 [17:00 20:30]

Kyōto International Community House
“Twin Cities” exhibition room
2-1 Torii-cho, Awataguchi, Sakyo-ku, Kyōto, 606-8536 JAPAN
Tel : +81-75-752-3010

https://www.kcif.or.jp/en


I am happy to be invited to this beautiful event and I will present for this exhibition on abstraction a new photographic work in 3 copies printed on matte cotton fiber paper of 40x55cm.

I hope to have the pleasure of meeting you at the opening 🙂

During our exhibition, the International Festival of Photography
KYOTOGRAPHIE” will take place in Kyōto from 15.04 to 15.05.2023 and you can also see other exhibitions on this occasion.

www.kyotographie.jp


zzb 光 0x58B17F46 © Eric Petr blog
光 0x58B17F46 (detail) photograph 30x45cm © Eric Petr, 2022

FORESTS 2023 @ CNFAP | SYLVE COSMIQUE OPUS 1

Sylve cosmique opus 1 (Triptych 48x100cm) © Éric Petr


“FORESTS”
CNFAP Exhibition
14.03 > 25.03.2023
City Hall of the 8th district of Paris
Mº St Augustin

This event organized by the French National Council of Plastic Arts is part of the cultural events related to the International Day of Forests which takes place on March 21.

“The exhibition offers forty four artworks, as many visions and questions about the forests and their interaction with the world around us, the richness and complexity of the relationships of our societies and our cultures, of man and are future.”
© Ana Sartori

About CNFAP

The French National Council for the Plastic Arts is the French National Committee that officially represents France in the IAAA (International Association of the Plastic Arts), an NGO under the auspices of UNESCO, and issues a professional artist card.
Under the impulse of the General Direction of Arts and Letters of the Ministry of National Education, the CNFAP was created in 1956.
It includes, among its founding members, 20 eminent artists, including : Georges BRAQUE, Roger CHAPELAIN-MIDY, André DUNOYER de SEGONZAC, Marcel GROMAIRE, Marie LAURENCIN, André LHOTE…

www.cnfap-artsplastiques.org

Exhibition FORESTS by the CNFAP from 14.03 to 25.03.23 at the City Hall of the 8th district of Paris

ABOUT THE ARTWORK EXHIBITED

“Sylve cosmique opus 1” Triptych
Éric Petr, 2o22 / copy #1/3

Presentation : Triptych of 48 x 100 cm composed of three photographic’s tableau.
Technique: Digital camera and pigment ink print on satin-finish fine art paper.

From these threads of light, which flow over our forests as water spreads life, are hidden the secret codes of the creative matter that reproduces the universes. This powerful energy seeps into the interstices of nature and its cosmic sap works to shape the universe in the matrix.
This first opus was born from this reflection on the life-giving power of the forest but also on its vulnerability.
This new project will write its next opuses to reveal the forest in its most poetic form but also to make the reader aware of this equation: vitality / fragility.

Flyer of the CNFAP FORESTS exhibition

MY TIMELESS EFFLORESCENCES OPUS 8

ポピー opus_8 © Eric Petr, 2022

Barely suggested,
and sometimes evanescent as a thought,
in a movement generated by warm kisses,
ruby color,
pink or sunny,
symbol of lightness and carelessness,
like a breath which would cross the seasons,
straight out of the matrix of the world,
are reborn in this magical Provence,
the time of a dance announcing the torrid heat,
my timeless efflorescences.

ポピー opus_8 © Eric Petr, 2022

I am very happy to share with you this new series, exhibited by CORRIDOR ÉLÉPHANT.
I invite you to discover the continuation of this photographic work in the Exhibition Gallery.

www.corridorelephant.com/expositions/eric-petr

ポピー opus_8 © Eric Petr, 2022

THERE IS NO SUCH THING AS CHANCE, MERELY SYNCHRONY

The Battle of the Amazons | Metamorphoses 0xB09FE203 © Éric Petr, 2o2o

“My work constitutes a thought process on the nature of light – a quest for its essence.

I borrow light, in its most primitive form, as raw material, as the foundation, the architecture of my entire photography. Light is not used as something that can show or illuminate what is around us, but only for what it really is, for its undulating, corpuscular nature.

I fashion this light in such a way that its filtering, reflection or dazzling may redefine the space I happen to be in and offer a different perception of the world.

I ask the question of whether our actual perception is but a placement of our own selves in relation to the universe, and as a result, if this perception shapes our own comprehension of reality, or should I say, of a certain reality.

My work is part of a meditative endeavor, but one where I am personally detached from any introspection. I like the idea of being crossed by atoms, of feeling so vast that we have a sense of being in every place at once, yet also focused on just one point, the one my camera happens to be located in. I engage in long working sessions to record the vibration of a place, its atomic resonance, or its indecipherable atmosphere, and like a film whose duration plays out in just one image, a story unfolds according to the diction of scenography and movement whose inspiration is in sync with the elements composing this very place.

In my work on the “Metamorphoses”, light intervenes in a specific way on the reflection of objects, so that their scene setting in situ creates figures akin to dilated bodies, figures composed of floating ethers coalescing in complex and destructured shapes that the image, when developed, restores, as if they conformed to a potential reality.

These bodies do not belong to space or time, nor do they belong to our world, they are but aggregates of waves and particles locked in a perpetual motion, elements which come and collide with my inverted T wave, just for one, brief moment.

My photographic writing is direct, that’s to say that it enters into a narrow relationship with the material. It is born from a meeting that takes but an instant, fixed on the border of temporality, caught between a being and the universe. This is what we could call a point of contact between Heaven and Earth.

There is no such thing as chance, merely synchrony. My meeting with the DF Art Project is of this nature. I would never have thought that there could exist as many common points.

And if this beautiful meeting with Déstructuralisme Figuratif took place, it is also because all the elements had come together so that my work could contribute a humble stone to their edifice. And above all, the DF Art Project involves a communion of individuals around a societal thought on human beings and the infinite possibilities of transgressing their shape through a fragmentation of the figure. A whole aspect of my work enters into consonance with this position, one where figures dilate, and where this full expansion of my imagery aptly questions the conceptualization of these shapes and their quantic connection to reality.”

by Éric Petr

About Figurative Destructuralism

The structure DF Art Project, represented by the Figurative Destructuralism movement, is an artistic collective of living plastic artists sharing a vision of art which is common to them and by which artistic work is oriented towards a fragmentation of what is real. This reality is put into perspective, distorted or dynamically transformed.

Through this conceptualization, the artists position themselves against a rising tide of individualism, where human exchange has given way to rampant loneliness. Their introspective focuses on analysis and the multidimensional creation, where the surreal comes to the fore and where, more generally, new less human, more virtual interactions are created.

These perceptions aim to reveal, through what could be called an optimistic rally cry, a situation, probably generational, of a globalized society in the throes of mutation facing – a society faced with an uncertain, ever-changing future.

Through artistic creation, the DF Art Project presents its considerations on a society where true possibilities for the emancipation of mankind as well as like the independence of human imagination are being redefined.

https://df-artproject.com/en/

PIERRE SOULAGES, THE MASTER OF LIGHT

zzb Tribute to Soulages 0xD861CD40 © Éric Petr
Tribute to Pierre Soulages 0xD861CD40 | Abbaye de Conques August 2022 © Éric Petr

Pierre Soulages joined, this Wednesday October 26, 2022, the infinite small, this small so big that it is a world to it only. A world where elementary particles are free to choose their positions and speeds. A world where the Light and the Black Holes are the Masters of an immeasurable Paradise with an immense horizon, Laniakea!

Adieu, Pierre Soulages, may peace be in your soul, so beautiful was it in our small atrophied world but will you have shown us, the time of a century, what the Light, thus revealed in your marvelous “outrenoirs”, is.

I have an immense thought for this so beautiful work which inspired me so much.

Thank you very much, Pierre Soulages!

View larger image

VARIATIONS OF LIGHT OPUS 6

Variations of Light opus 6 [27cmx127cm] – Éric Petr, 2022
My octoptych Variations de Lumière opus 6 will be presented at Réalités Nouvelles 2022.


This year, the Réalités Nouvelles will take place in seven different locations in Paris from October 20 to 23, 2022.

The two main exhibition venues will be the ESPACE COMMINES in the 3rd arrondissement and the REFECTOIRE DES CORDELIERS in the 6th arrondissement.

About my exhibited artwork


THE NEW REALITIES AND ITS HISTORY

1946-47: the association called “Salon des Réalités Nouvelles” replaces the association “Abstraction-Création” (1931). This is the Salon de l’Abstraction, animated by the artists.
1956, then 1980: all the tendencies of abstraction are represented at the Salon, and right up to the margins of abstraction.

Text by Erik Levesque, from the 2022 Tribune of New Realities

The first “Réalités Nouvelles” exhibition took place in 1939 in Paris. It consisted of two successive exhibitions, each split into two series. First exhibition and first series from June 15 to 28, “Works by French artists”, with the participation of the Duchamp brothers and the Delaunay couple. The second series from June 30 to July 15 was devoted to “foreign artists” including Kandinsky, Kupka, Malevitch, etc. accompanied by Le Corbusier and Jeanneret’s project for a modern art museum. The second exhibition, from July 17 to 31, was devoted to “works by artists whose inobjective tendency voluntarily stopped before 1920” (with Jean Crotti, brother-in-law of Marcel Duchamp) and “works by artists after 1920” including Barbara Hepworth, Jeanne Kosnick-Kloss, Sophie Taeuber-Arp… The suite, made up of artists “who worked after 1920 in this direction”, was to take place on October 1. The declaration of war on September 1 caused him to fizzle out. Suzanne Duchamp, the sister of the brothers of the same name and wife of Jean Crotti, took part in the birth of the Salon des Réalités Nouvelles in 1946, and the Duchamp clan was finally complete!… Read more from the Tribune

Please click on each of the images to download them 👇

Blog Éric Petr
Blog Éric Petr